Hunna Art company logo
Hunna Art
Skip to main content
  • Menu
  • Home
  • Artists
  • Art Fairs
  • Exhibitions
  • Essays and Publications
  • Press
  • About
  • Store
Cart
0 items €
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

What Touches the Scalp is Close to the Bone

Forthcoming exhibition
4 - 10 June 2026
  • Images
  • Overview

What Touches the Scalp is Close to the Bone begins with proximity. The scalp is not just another part of the body - it is the skin stretched directly over the architecture of the self. Beneath it: the skull, the mind, memory, consciousness. To approach the scalp is to come close to the most interior part of (inner-most fragile part)? someone without ever piercing the skin. This exhibition takes that nearness as its point of departure.

Hair becomes a threshold - between interior and exterior, between identity and presentation, between tenderness and power. It occupies a liminal space where the deeply internal becomes publicly visible. It is softness emerging from structure, surface anchored to bone. (using the body as an act of defiance)

Hair is autobiography. It is often the first thing we alter when something within us shifts. We cut it to sever memory. We dye it to mark transformation. We grow it long, shave it away, conceal it, reveal it, adorn it. It can be politicized, eroticized, sanctified. Though technically dead matter, it carries the trace of lived experience.

But hair is also relational. To touch someone’s scalp - to brush hair from their face, to braid it, oil it, to lie beside them and move your fingers slowly through it - is an act of intimacy, of connection. These gestures of care are quiet invitations into vulnerability. Through touch, we reach closer to the other, closer to their bone, closer to their insides. (closer to a part of us that we keep veiled/ untethered) 

What Touches the Scalp is Close to the Bone  suggests that hair is not simply (at the) surface. It is a metaphorical site, where identity is rehearsed and performed, intimacy is offered and received, culture is carried and inherited, vulnerability is exposed and held.

To engage with hair - in solitude or through touch - is to approach the structure of a person without breaking the skin. (From this, we present a love letter of how ritual, traditions and memory can dissipate into vessels of conversation/ present itself as an act of self- reclamation.) 

 

TAKE THIS ALL WITH A PINCH OF SALT BABES!!!

 

Related artists

  • Maliha Abidi

    Maliha Abidi

  • Aidha Badr

    Aidha Badr

  • Yasmina Hilal

    Yasmina Hilal

  • Raya Kassisieh

    Raya Kassisieh

  • Mahsa Merci

    Mahsa Merci

  • Reem R.

    Reem R.

  • Samo Shalaby

    Samo Shalaby

  • Amina Yahia

    Amina Yahia

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Back to exhibitions
Manage cookies
copyright @ 2025 Hunna Art
Site by Artlogic
Go
Instagram, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.